doppler

May 20, 2012 at 10:51pm
1,905 notes
Reblogged from miamatters
esobvio:

maya

esobvio:

maya

(Source: miamatters)

10:51pm
785 notes
Reblogged from dilke

(via 4everdesign)

10:51pm
236 notes
Reblogged from actegratuit

(Source: actegratuit, via delfrydiaeth)

May 5, 2012 at 8:32pm
13 notes
Reblogged from itlookedbetterinsketch
itlookedbetterinsketch:

“Morning Beauty” via Fashion Gone Rogue

itlookedbetterinsketch:

“Morning Beauty” via Fashion Gone Rogue

8:28pm
1,524 notes
Reblogged from p-araphilia

(via coolurlhere)

8:26pm
1,557 notes
Reblogged from petrole
shesinacoma:

Kate Moss by François Deconinck for Marie Claire Japan, August 1992

shesinacoma:

Kate Moss by François Deconinck for Marie Claire Japan, August 1992

(Source: petrole, via girlinlondon)

May 2, 2012 at 8:23pm
20 notes

8:20pm
3 notes
meow!

meow!

April 26, 2012 at 9:33pm
149 notes
http://www.thephotographymarielclayton.com/#!the-doll
“I’ve been told I need to get out more”

http://www.thephotographymarielclayton.com/#!the-doll

“I’ve been told I need to get out more”

9:30pm
9 notes
http://www.thephotographymarielclayton.com/#!the-doll/slideshow14=16
play nicely with daddy!

http://www.thephotographymarielclayton.com/#!the-doll/slideshow14=16

play nicely with daddy!

7:53pm
33 notes
Reblogged from nihilisticpsychedelia

April 23, 2012 at 10:39pm
52 notes
Reblogged from celines
celines:

Lindsey Wixson by Tim Walker for Vogue Italia January 2012

celines:

Lindsey Wixson by Tim Walker for Vogue Italia January 2012

6:19pm
243 notes
Reblogged from idreamofaworldofcouture

Artwork by Maurizio Anzeri 

Maurizio Anzeri makes his portraits by sewing directly into found vintage photographs. His embroidered patterns garnish the figures like elaborate costumes, but also suggest a psychological aura, as if revealing the person’s thoughts or feelings. The antique appearance of the photographs is often at odds with the sharp lines and silky shimmer of the threads. The combined media gives the effect of a dimension where history and future converge. The image used in Round Midnight is an early 20th century ‘glamour shot’ that at the time would have been considered titillating for both the girl’s nudity and ethnicity. Anzeri’s delicately stitched veil recasts the figure with an uncomfortable modesty, overlaying a past generation’s cross-cultural anxieties with an allusion to our own.

(via idreamofaworldofcouture)

9:59am
52 notes
RAVE!

RAVE!

9:58am
5 notes